约翰•米克尔思韦特（John Micklethwait） 《经济学人》杂志总编，2010年被英国杂志编辑协会评选为年度最佳编辑。 阿德里安•伍尔德里奇（Adrian Wooldridge） 《经济学人》杂志“熊彼特”专栏作家，曾任该杂志驻华盛顿站主任。

How, in a relatively short time, did America veer so far to the right as to become incomprehensible to Europe, as it would no doubt be to Richard Nixon? And why is it likely to remain so no matter who occupies the Oval Office? Like latter-day de Tocquevilles, English journalists John Micklethwait and Adrian Wooldridge explain this new America, and the conservative movement ...(展开全部)

How, in a relatively short time, did America veer so far to the right as to become incomprehensible to Europe, as it would no doubt be to Richard Nixon? And why is it likely to remain so no matter who occupies the Oval Office? Like latter-day de Tocquevilles, English journalists John Micklethwait and Adrian Wooldridge explain this new America, and the conservative movement ...(展开全部)

周策纵（1916—2007） 著名历史学家。抗战时期在中央政治大学获得学士学位，战后赴美国，获密歇根大学硕士、博士学位，美国威斯康星大学东亚系终身教授。曾担任哈佛大学访问学者、研究员，哈佛大学、哥伦比亚大学荣誉研究员，以及香港中文大学、新加坡国立大学、斯坦福大学客座教授。曾获美国福特基金会学术奖、美国卡耐基基金会学术奖、美国古根汉学术奖、美国科学院学术奖，专长研究中国哲学、五四运动史等领域。

周策纵（1916—2007） 著名历史学家。抗战时期在中央政治大学获得学士学位，战后赴美国，获密歇根大学硕士、博士学位，美国威斯康星大学东亚系终身教授。曾担任哈佛大学访问学者、研究员，哈佛大学、哥伦比亚大学荣誉研究员，以及香港中文大学、新加坡国立大学、斯坦福大学客座教授。曾获美国福特基金会学术奖、美国卡耐基基金会学术奖、美国古根汉学术奖、美国科学院学术奖，专长研究中国哲学、五四运动史等领域。

弗雷德里克·刘易斯·艾伦，研究美国20世纪前半时期的知名历史学家。曾任《世纪》杂志和《哈珀》杂志主编。 其最为著名的著作就是人们津津乐道的“美利坚帝国成长三部曲”系列：《大繁荣时代》（Only Yesterday）、《大衰退时代》（Since Yesterday）和《大转型时代》（The Big Change ）。此外，他还著有《保罗·R.雷诺兹》、《伟大的摩根》、《万物之灵》、《看美国》等书。

Transporting Visions follows pictures as they traveled through and over the swamps, forests, towns, oceans, and rivers of British America and the United States between 1760 and 1860. Taking seriously the complications involved in moving pictures through the physical world—the sheer bulk and weight of canvases, the delays inherent in long-distance reception, the perpetual threat...(展开全部)

"Designing" has come of age since World War II. The essential shape, form and structure of some objects in our daily lives may have been fixed many generations ago, but design and designers have now been moved centre stage by the varied demands of a society that in less than half a century has gone from the restless search for the new throw-away consumerism to a postmodernist r...(展开全部)

Since 1945 the modern revolution in sculpture has gathered pace, and sculpture has now ceased to be the fixed category it once was. In recent decades the modernist idea of sculpture across the UK, America, and Europe, has been challenged, and issues such as nationalityand politics have been brought in to the arena of public discussion. In this ground-breaking account of the dev...(展开全部)